Representations of Middle Age in Comedy Film: A Critical Discourse Analysis

The discourse of middle age includes a commonly-held perception that it is a time of crisis resulting in unusual, atypical, dramatic or extravagant behaviours. The aim of this study was to find out if the discourse of middle age, as depicted in comedy film, supports this stereotype. Three comedy films were reviewed using dispositive analysis to critically-evaluate the actions, objects and language employed to represent middle age on-screen. The findings show that crisis, sparked by a fear of ageing and with some distinct gender differences, is a frequent feature of on-screen middle age. Building on the generally accepted hypothesis that negative stereotyping results in the development of prejudices, the findings suggest that negative representations of ageing start well before old age and therefore contribute to the process whereby film audiences are inculcated with material which engenders ageist views and behaviours

Representations of age and ageing in comedy film

Ageism is a social injustice that impacts negatively every person who lives long enough. The aim of this thesis is to raise critical awareness of ageist messages in the representations of older people on-screen in the popular genre of comedy film.\ud \ud It has been generally acknowledged that society is influenced, often unknowingly, by the mass media. Film, particularly comedy film, is a popular entertainment medium that is readily-accessible, both in cinemas and in DVD/Blu ray format. Going to the cinema, downloading a film or renting a DVD from a store are relatively cheap entertainment options for many people in the developed world. Film, therefore, has the potential to influence large numbers of viewers. Many films carry ageist messages, which are often undetected and unrecognised by audiences, yet these messages influence attitudes, behaviours and opinions. Negative representations of ageing occur in films made for children as well as those made for adults, which is even more unacceptable because children are particularly susceptible to influence, and can develop inaccurate views about age and ageing that may persist throughout their lives.\ud \ud As a registered nurse I have an obligation to adhere to professional standards requiring me, and every nurse, to respect and promote the human rights of all members of society. Discrimination against clients on any grounds, including age, is unacceptable and contrary to the codes of practice and ethical standards that govern and guide the profession. Unfortunately, it has been shown that health professionals, including nurses, are not immune to developing ageist views. This can negatively affect the care given to older clients and can contribute to poor physical and mental health outcomes.\ud \ud A dispositive analysis approach to critical discourse analysis was used to investigate the ways age and ageing are represented in a selection of comedy films. Dispositive analysis includes analysis of actions and objects related to the topic under scrutiny as well as analysis of the language used. This approach is extremely useful when examining representations of age and ageing in film because not all aspects of the discourse are linguistic. An example of this is the following scenario: a car is seen weaving erratically along the road with just the top of the driver's old-fashioned hat visible through the front windscreen. It is commonly assumed that the driver is an elderly woman; no linguistic signposting is required.\ud \ud Comedy, as a genre, was chosen because of its capacity to perpetuate ideas and representations that, in other contexts, would be unacceptable but, using the guise of humour, are rendered permissible. Highly-exaggerated and ridiculous situations and characterisations are expected in comedy films; harmful messages, therefore, about gender, race, sexual orientation, religion and age can be disseminated freely. Were such scenes and messages to be aired in the real world, repercussions might well occur in the form of public protest and legal action. \ud \ud This thesis considers a selected corpus of films in three categories: \ud \ud 1. films about mid-life and the concept of mid-life crisis\ud \ud 2. films concerning older people's age and ageing\ud \ud 3. films related to older people's sexuality.\ud \ud Films that featured aspects of middle age as well as old age were considered because middle age is identified as the time in the life span when ageing becomes a subject that attracts the attention of the comedy filmmakers. The films in the dataset were chosen on the basis of their audience reach and popularity and content, which had to contain material related to themes of age and ageing.\ud \ud Findings confirmed that middle age is largely represented as a time of crisis, particularly for men. Analysis showed middle age to be characterised by stereotypical behaviours related to disappointment and dissatisfaction, including infidelity, restlessness, yearning for change, risk taking and attempts to 'turn back the clock' by cosmetic enhancements.\ud \ud Representations of old age in recent comedy films were found to be much more diverse than those found in earlier manifestations. Tentative steps appear to have been taken towards a more realistic portrayal of old age, particularly in relation to sexuality. Representations of old age as a period of asexuality appear to be fading to be replaced with a discourse of ageing which includes older people who have some level of sexual activity or, at least, an interest in sexuality. The myth of a heteronormative old age is being challenged by the emergence of older characters that are openly gay.\ud \ud The thesis concludes with a discussion about strategies that could be used to raise critical awareness about the messages disseminated in film. Specific strategies for use in the education of health professionals could reduce ageism in the future workforce of this vital sector of the community. Critical thinking skills could be sharpened by giving students the opportunity to evaluate representations of older people in film. Students could reflect on their own attitudes to ageing and consider how their practice could be improved by embracing an open-minded, non-judgemental approach to the care of all clients, irrespective of age

Representation of middle age in comedy film

The discourse of middle age includes a commonly-held perception that it is a time of crisis resulting in unusual, atypical, dramatic or extravagant behaviours. The aim of this study was to find out if the discourse of middle age, as depicted in comedy film, supports this stereotype. Three comedy films were reviewed using dispositive analysis to critically-evaluate the actions, objects and language employed to represent middle age on-screen. The findings show that crisis, sparked by a fear of ageing and with some distinct gender differences, is a frequent feature of on-screen middle age. Building on the generally accepted hypothesis that negative stereotyping results in the development of prejudices, the findings suggest that negative representations of ageing start well before old age and therefore contribute to the process whereby film audiences are inculcated with material which engenders ageist views and behaviours

Sex after 60? You've got to be joking! Senior sexuality in comedy film

Representations of the sexuality of older people have been largely absent in mainstream films until recent times. Cinema as an art form has historically denied or ignored the fact that humans are sexual beings their whole lives. In this paper critical discourse analysis is used to examine four comedy films released between 1993 and 2012 that tackle the subject of ‘senior sexuality’. All four films are explicit in representing older people as sexual beings but, unlike films about young people's sexual activity, the details of sexual encounters are left to viewers' imaginations. Two of the films challenge the notion of a heteronormative old age